Sitzen ist eine gute Idee
with extras from Dresden
In 2016, Antje Pfundtner started a trilogy in Gesellschaft about the laws of time and transience. Her leitmotif was Albrecht Dürer’s copperplate figure “MELENCOLIA I”, an angel-like figure crouching near the ground with its knees drawn up. Despite her wings, this figure does not take off. Everything is at rest: Movement, motives, work, time – they stand still. Her inaction confuses: for is she already doing nothing, or has she not even begun to do anything? What would be the beginning or the end of her action if she were not standing still?
The solo “Sitting is a good idea”, which takes place in the midst of the audience, is the last part of the trilogy and questions aloud what potential for action motionlessness has. For example, does sitting necessarily mean staying seated? Sitting versus standing up, standing up versus being stood up. Is standing up a more powerful act than sitting down? The connotations of standing up are: To rise – to go vertical – to act – to rehearse the uprising. Gladly, but with whom? In any case, standing up is far too short a moment to celebrate it so strongly. Because standing up is, for the time being, only the duration of its movement. And then follows action.
Back to MELENCOLIA alias Antje Pfundtner: Yes, she takes her time and thinks carefully about whether she will sit down again in the end or whether she will resist much more.
Idea & Concept: Antje Pfundtner in company
Choreography: Antje Pfundtner
Dance: Antje Pfundtner
Dramaturgy: Anne Kersting
Music: Nikolaus Woernle
Stage/performative objects: Irene Pätzug
Artistic assistance/the time: Juliana Oliveira
Costumes: Yvonne Marcour
Lighting: Michael Lentner
Production & PR: Hannah Melder
Guests in the research process: Christina Ciupke, Cornelia Dörr, Hermann Heisig, Lea Martini, Fabrice Mazliah, Sheena McGrandles, Eva Meyer-Keller, Matthew Rogers, Anna Till, Frank Willens