«A Way to the Body’s Unlimited Possibilities»
Self-description, education & work experience:
Inna Gosha is a freelance dancer and choreographer from Ukraine (Kyiv), who is living in Berlin since 2022. She studied at the Kyiv University of Culture and Arts (2015-2021, Department of Classical Choreography) and received Bachelor’s degree (speciality: Classical Choreography) and afterwards Master’s of Culture and Arts (specialty: Choreography). What’s more, Inna took classes from a number of cool dancers, such as Iratxe Ansa and Igor Bacovich, Kenan Dinkelmann, Francesco Annaruma.
Inna is a member of the Baza.art.people theatre troupe since 2019. Inna starred in the following performances:
1) «Paper Tigers» (2020-2021);
2) «Gul» (2021);
3) «Mashrabi» (2021).
Also, together with Baza.art.people, she took part in the filming of the «Red Root» clip (2020), and the Camurai Code clip «Silence» (2020). Besides, Inna starred as a guest performer in the «Got to Be Free» in the Podol Theatre (2019), as well as in the collaboration project of Nera Dance Group (2019) and in the project «Thebes» for the Egyptian Opera (2020-2021).
She has also worked in film, TV and video productions such as:
1) The Concert for the Independence Day of Ukraine (2021);
2) the television series «Age Difference» (2021);
3) charity video «uprooted» by UNHCR, the UN Refugee Agency in Berlin (2022, most recent work).
Introduction to the project:
Inna Gosha is a freelance dancer and choreographer from Kyiv (Ukraine), who is living in Berlin since 2022. She is planning to search for movements, exercises and activities that help to improve possibilities of one’s body, which specifically focus on the accumulation of energy and strength. All this will be researched in the context of stage dance contemporaries.
Description of the project:
Inna is researching exercises and activities that help to develop the possibilities of one’s body, which specifically focus on the accumulation of energy and strength, therefore helping movements to get rid of sloppiness, but at the same time let them be free and well-trained. All this is planned to happen in the context of stage dance contemporaries.
Inna’s project is all about the search for principles of movement and activity that will help to better feel and control body movements, but at the same time will not limit physical and emotional creativity of the individual. She gives an example for a clearer understanding of her vision: classical dance classes at the barre and in the middle of the hall are very useful for getting a strong and mobile „skeleton“, working on body coordination, balance, jumping power, and clarity of positions and poses. However, simultaneously, there are many cases after classical dance, when the body is proven not to be quite ready for free movement, improvisation and creativity.
Finding a balance between a conservative approach to training a dancer and a free search is her main goal. Ideally, Inna hopes to find a set of movements and a variety of classes that will not only be a complex for high-quality warm-up of the body, but also an effective universal basis for the development of unlimited possibilities of the body in contemporary dance.
Inna has participated in the next projects and performances:
Link connected to her dance life:
1) the account of her team «Baza.art.people»